![]() It was regarded as a true representation of a rhinoceros into the late 18th century, and it has been said of Dürer's woodcut that "probably no animal picture has exerted such a profound influence on the arts". None of these features are present in a real rhinoceros, although the Indian rhinoceros does have deep folds in its skin that can look like armor from a distance.ĭürer's woodcut became very popular in Europe and was copied many times in the following three centuries. He places a small twisted horn on its back and gives it scaly legs and saw-like rear quarters. He depicts an animal with hard plates that cover its body like sheets of armor, with a gorget at the throat, a solid-looking breastplate, and what appear to be rivets along the seams. ĭürer's woodcut is not an accurate representation. Another live rhinoceros was not seen again until Abada arrived from India to the court of Sebastian of Portugal in 1577. ![]() Later that year, the King of Portugal, Manuel I, sent the animal as a gift for Pope Leo X, but it died in a shipwreck off the coast of Italy. Instead the image is based on an anonymous written description and brief sketch of an Indian rhinoceros brought to Lisbon in 1515. Dürer never saw the actual rhinoceros, which was the first living example seen in Europe since Roman times. This impression, National Gallery of Art, Washingtonĭürer's Rhinoceros is the name commonly given to a woodcut executed by German artist Albrecht Dürer in 1515.
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